This year’s folklife festival went quite smoothly for those of us involved in production. The crew was great, veterans and Folklife rookies alike. In my particular area, signage, I had two very capable assistants — Matthew and Tim. Matthew is the son of one of my mom’s long-time friends, and he and I haven’t seen each other for about sixteen years. It was nice to see him again and do a little catching up. But, I digress. The nature of signage is such that you rush around before the festival putting signs and banners up, but everything generally calms down by the second morning of the actual run. Matthew was only with us for a couple of days before the festival, but Tim was there through the whole run. As a result, Tim and I had alot of free time to go out and enjoy the festival. With two good guys helping out and four festivals already under my belt, this year was quite stress-free. From what I heard from other areas (programming, sponsorship, etc.), it seems as though everyone had a pretty smooth run.
Despite the relatively low-key nature of this year’s festival, it still wore me out. I was there usually between seven and eight in the morning, and never left before six, although some nights I was there considerably later. On Monday, Tuesday, and Wednesday nights we partied too, first celebrating the end of the festival proper, then various stages of the take-down process. On Wednesday night (the biggest celebration), some of my co-workers started pestering me to come back out to work at Bumbershoot, an arts festival that takes place over Labor Day weekend. I guess I won’t be in school yet then, but it’ll sort of depend on the pay and what I’m up to in Madison.
With all the free time I had, I was able to snap quite a few pictures. I’ve posted a number of digital shots, but I have a few rolls of film to develop and scan, as well. At the moment, my gallery consists largely of pics from two groups — March Fourth, a punk marching band with stilt-walkers and a hula-hooping anti-cheerleader, and The Lions of Batucada, a samba bateria from Portland. There are also a few other pics showing various other things, including the crowds, a herd of hurdy-gurdies, and some of the more provocative propaganda being carried around the festival grounds. Any of the thumbnails above will take you to the gallery.

