Bantam Classics, 1981
Siddhartha, the son of a Brahmin, is consumed by the quest for wisdom. Early in life, he decides that he has learned all he can from his parents and teachers. As he begins to contemplate new directions, a group of itinerant ascetics passes through his town. Impressed by their lives of simplicity and self-denial, he joins the sect.
Siddhartha divests himself of worldly posessions, fasts, and begins the process of destroying the Self in order to attain Nirvana. He makes progress, but soon becomes disillusioned with this path, as well. He proceeds to seek enlightenment through a number of other paths, each change being accompanied by drastic shifts in his lifestyle. After many years of this, still unfulfilled, Siddhartha comes to rest on the banks of a river at the house of a ferryman. Vasudeva, the ferryman, lives a very simple — yet very contented — life. Siddhartha soon realizes that he can learn far more from Vasudeva and the river than from any of his previous teachers.
It was interesting to read this and Paolo Coelho’s The Alchemist in the same day. Both are stories of personal searches for wisdom and a meaningful life. Both Siddhartha and Santiago take long winding paths to their respective goals, with many unplanned stops along the way. Also, they both realize their goals in ways and places they never would have imagined when beginning their quests. I think that I prefer Siddhartha to The Alchemist, largely because it is never blatantly “inspirational.”
I was amazed at how many people in the Chicago Midway Airport gave me unsolicited comments as I was reading this book ; all were unequivocally positive. Apparently, I’m among the few who didn’t read Siddhartha in high school (thank you, Tennessee public education…). I’d highly recommend reading this if you haven’t, and rereading it if you have.



One Response to Siddhartha
Patricia Wells
Replied on: October 17, 2007, 10:07 am
The novels of Herman Hesse were right up there with those by J.R.R. Tolkein for undergraduate recreational reading in the late 1960s and early 1970s. Next try “Steppenwolf” and then “The Glass Bead Game.“
The most interminable double-bill film showing I’ve ever sat through was “Siddhartha” and “Steppenwolf” — loved the books, but the films together were just TOO much Hesse.
Mom