Villa Incognito WorldCat • LibraryThing • Google Books • BookFinder
Dern Foley, posing as a priest, is apprehended as he attempts to smuggle illicit narcotics from Laos into Los Angeles. This is far more than a standard drug bust however; Foley and his two compatriots Dickie Goldwire and Mars Stubblefield had until this time been missing and presumed dead since their plane was shot down over Vietnam twenty-eight years earlier. Foley’s case represents a public relations nightmare for the CIA dn U.S. military. What to do with a former POW who decides to stay missing, then turns up years later as a drug smuggler? The agencies scramble to find out who Foley is working with, where the drugs came from, and if there are any others like him still in hiding.
Meanwhile, Dickie Goldwire is braving the mean streets of Bangkok in search of a guitar to take back to Villa Incognito, the former POWs’ headquarters. Shortly after his return, his fiancé Lisa Ko arrives at the Villa with news of Foley’s arrest. Goldwire and Stubblefield argue about how to proceed and, after a short visit, Lisa Ko returns to her traveling circus in the U.S. There, she discovers that her tanukis, the odd little east Asian mammals which she trains to perform — and with which she has a bizarre ancestral connection, have escaped in her absence.
Robbins’s storytelling is far from linear; his narrative is a tangled web, working roughly from the inside out. This in no way makes for a disjointed reading experience, but it does trip one up when trying to summarize the book. Robbins’s writing is delightfully convoluded on a smaller scale as well — he twists sentences around, going off on brief tangents and making frequent asides to the reader. His cast of characters is weirdly hilarious, including (in addition to those mentioned above) a Bangkok prostitute who happens to be working on a degree in comparative literature, an unemployed draftswoman with a clown fetish, an entire town of out-of-work Vietnamese circus performers, and a Japanese animal-god come to earth in more or less human form. Although this is one of Robbins’s most recent novels, it’s my first of his; I’ll have to seek out some of his earlier books.
