A few days ago, I posted a let­ter about my frus­tra­tions with try­ing to buy Flight of the Con­chords Tick­ets. The fol­low­ing day, I received a response from the Over­ture Cen­ter Spokesman. It’s in a com­ment on the pre­vi­ous entry, but I thought I’d re-post it right on the front page:

Hello Dave — Rob Chap­pell, Over­ture Cen­ter spokesman here. You’re obvi­ously not the only one dis­ap­pointed by the way the FotC ticket sale went, so I’d like to try to shed some light on some of the con­cerns that you raise.

The sim­ple fact is that this show sold out very quickly, as pop­u­lar acts often do. We did have some web­site and phone sys­tem issues, how­ever, which we regret.

One rea­son the show sold out so quickly was that Flight of the Con­chords man­age­ment required us to make a pre­sale avail­able to FotC Fan Club mem­bers begin­ning on Mon­day, Feb­ru­ary 2, five days ahead of the gen­eral pub­lic on-sale. We were asked to make 70% of the avail­able tick­ets, or about 1,360 tick­ets, avail­able for this pre­sale. In addi­tion, we made a small pre-sale avail­able to our own email list and the pro­moter ran a pre­sale with one of the media part­ners, radio sta­tion WMMM. Only 250 tick­ets were allot­ted to each of those two pre-sales, which were made avail­able the day before the gen­eral pub­lic on-sale.

You also wanted to know how to get onto those pre­sale lists. The best way is to sign up for our e-list at http://paciolan.myprefs.com/?@overture&p2p=Signup. Join­ing fan clubs of bands or radio sta­tions you like can also help get you on pref­er­en­tial lists for pre-sales.

Any­way, when 11:00 Sat­ur­day morn­ing rolled around, we felt that we had to set aside enough tick­ets to accom­mo­date at least those who were stand­ing in line at 11. Our phone sys­tem was over­whelmed and crashed, a fact that we regret. In the end, only 371 were avail­able to sell through the Inter­net on Sat­ur­day, which didn’t take more than a few min­utes, as you can imagine.

Unfor­tu­nately, ticket resellers were able to pur­chase a num­ber of tick­ets and have sub­se­quently made them avail­able at much-inflated prices, as you note. We do have mea­sures in place to curb this as much as we can. For exam­ple, we’re hold­ing tick­ets in the first 15 rows at the box office and will only give them to the per­son who bought them (and only if that per­son has valid ID). Still, this reselling prac­tice per­vades the live per­for­mance and con­cert indus­try. It is dis­ap­point­ing to venue man­agers like us, to per­form­ers, and, most impor­tantly, to fans. Unfor­tu­nately, at this time, the mea­sures we have in place can only go so far to stop these out­fits from buy­ing tick­ets and reselling them.

We are truly sorry that you and many oth­ers were dis­ap­pointed not to get tickets.

Any­body with ques­tions can con­tact me at rchap­pell at over­ture­cen­ter dot com.

So, as I sus­pected, the pre-sales weren’t all the Over­ture Center’s doing — they had con­trac­tual oblig­a­tions to ful­fill. I still think that if pre-sales are going to eat up a major­ity of the seats for a given show, there should be some sort of gen­eral warn­ing to that effect along­side the notice of when tick­ets offi­cially go on sale. I have joined the e-mail list that Mr. Chap­pell men­tioned, and I sup­pose I’ll try to join fan club mail­ing lists for groups that I want to see in the future. Also, it seems that I would have scored tick­ets if I’d actu­ally gone to the Over­ture Cen­ter to stand in line. So, I guess I’ll do it the old fash­ioned way next time, rather than rely­ing on any tech­no­log­i­cal means to make my purchase.