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The Two Contras

My friend Andrea and I decided to pre­pare a duo con­tra­bas­soon recital, just for fun. It’s rare to have two con­tra­bas­soons in one place, let alone on stage by them­selves. Our reper­toire con­sisted mainly of works that had been arranged for two or three bas­soons, but our first piece — Dorff’s Sonatina d’Amore — was actu­ally writ­ten for two con­tras. We each did some solo work, as well — a Gal­liard bas­soon sonata for Andrea and two Puc­cini tenor arias for me. Thanks to Garry Kling for mak­ing such an excel­lent record­ing of the recital. In addi­tion to lis­ten­ing to the mp3s, you can view the orig­i­nal pro­gram (as a pdf) and poster.

Sonatina d’Amore Daniel Dorff
  Alle­gro cantabile (b. 1956)
  Alle­gro, mer­rily rollicking
  Molto Alle­gro, leg­giero con spirito
Andrea Clark and Dave Wells, contrabassoons
 
Sonata No. 1 John Ernest Galliard
  Cantabile (1678−1749)
  Spir­i­toso e stac­cato, a tempo moderato
  Largo e staccato
  Horn­pipe a l’Inglese
  Vivace
Andrea Clark, con­tra­bas­soon
Scott Gen­del, piano
 
Selec­tions from The Bar­ber of Seville Gioacchino Rossini
  “Numero quindici a mano manca” (1792−1868)
  “Largo al factotum” arr. François Gebauer
Dave Wells and Andrea Clark, contrabassoons
 
“E luce­van le stelle” from Tosca Gia­como Puccini
“Nes­sun Dorma” from Turan­dot (1858−1924)
arr. John Mortimer
Dave Wells, contrabassoon
Ellen Fast, piano
 
Selec­tions from The Bar­ber of Seville Gioacchino Rossini
  “Zitti zitti, piano piano” (1792−1868)
  “Una voce poco fa” arr. François Gebauer
 Andrea Clark and Dave Wells, contrabassoons
 
Selec­tions from Der Freis­chütz Carl Maria von Weber
  Mar­cia (1786−1826)
  Volk­slied arr. anony­mous
  “Hier im ird’schen Jammertal”
  Jäger­chor
Andrea Clark and Dave Wells, contrabassoons
Katie Koralesky, bass
 
Flight of the Bumblebee Niko­lai Rimsky-Korsakoff
(1844−1908)
arr. Alan Hawkins
Dave Wells and Andrea Clark, contrabassoons