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An Update

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Aca­d­e­m­i­cally, this year is quite dif­fer­ent for me from those that have come before. I have no classes, I’m no longer a Teach­ing Assis­tant, and I face very few dead­lines. The projects that do have dead­lines, though, are big ones. I’m a dis­ser­ta­tor now, and this, my twenty-third con­sec­u­tive year of school, will be my last if every­thing goes accord­ing to plan. So, although I have many fewer daily sched­uled respon­si­bil­i­ties than before, I have plenty to do. I’m prepar­ing for my lec­ture recital, which involves learn­ing to play three dif­fer­ent 19th cen­tury bas­soons that my pro­fes­sor, Marc Val­lon, is kindly let­ting me bor­row. I’m also hard at work on my DMA project (our dis­ser­ta­tion equiv­a­lent): a his­tory, analy­sis, and discog­ra­phy of the bas­soon in jazz. Plus, I’m play­ing in the UW Lit­tle Big Band, tak­ing the occa­sional gig, work­ing in the music library, and try­ing to main­tain some sem­blance of a social life. Oh yeah… and think­ing about my final solo recital in the spring.

This is all a long way of say­ing that I’ve been busy lately, and haven’t man­aged to get around to blog­ging. I’m hop­ing to work that back into my sched­ule though, per­haps on a once-a-week basis; it’s nice to have a non-academic writ­ing out­let. I’ve had a cou­ple of ideas for series of posts float­ing around the back of my mind for awhile, and I’m hop­ing to start on them soon (since my cur­rent life of research­ing, writ­ing, and prac­tic­ing gen­er­ally does not lend itself to inter­est­ing narrative).

The first of these will be reviews of bizarre albums from my grow­ing record col­lec­tion. I’ll focus on weird stuff that hasn’t (to my knowl­edge) been reis­sued on CD. That way, I can prob­a­bly get away with pro­vid­ing audio sam­ples. The sec­ond series will be about things I use that might be con­sid­ered old-fashioned or obso­lete, yet are to my mind supe­rior to their mod­ern coun­ter­parts. I hope to get back to book reviews at some point too, although I’m at this point woe­fully behind and have to spend time with each book remem­ber­ing what I thought about it.

Devil’s Challenge

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Team 701 - Musicology Mayhem

Team 701: Musi­col­ogy Mayhem

Yes­ter­day morn­ing, Veron­ica, our friend Patrick, and I par­tic­i­pated in the Devil’s Chal­lenge Triathlon at Devil’s Lake State Park, about an hour north­west of Madi­son. We entered as a relay team — I swam (1÷4 mile), Patrick biked (15 miles), and Veron­ica ran (3 miles). We decided ear­lier this sum­mer that we wanted to attempt a relay triathlon, and had been more or less train­ing since then. We took a trip to Devil’s Lake last week­end to scout out the course and to do a dry run. Still, hav­ing never done this sort of thing before, we weren’t quite sure what to expect on the actual day of the race. We left Madi­son at a quar­ter to 6 yes­ter­day morn­ing so that we’d have plenty of time to park, pickup our reg­is­tra­tion packet, and warm up before the 8 a.m. start. We got there with plenty of time to spare, and set about men­tally and phys­i­cally prepar­ing ourselves.

A Later Swim Start

A Later Swim Start

At the race, indi­vid­ual triath­letes were orga­nized into start­ing waves, largely by age and sex divi­sions. A funny thing about relay teams like ours, though: we were put in the very first wave, which is oth­er­wise reserved for elite com­peti­tors. So, you have the fast, hard­core, expe­ri­enced peo­ple grouped with peo­ple who aren’t up to doing the whole triathlon them­selves. I sup­pose this makes a cer­tain amount of sense; relay­ers are free to expend all their energy on each leg of the race, whereas indi­vid­u­als have to pace themselves.

Swimmers Exiting the Water

Swim­mers Exit­ing the Water

So, I lined up on the beach with the elite ath­letes and the other relay swim­mers. Since we were the first ones to go, all the other ath­letes and many spec­ta­tors were behind us, cheer­ing and mak­ing noise. When the starter horn went off, we all ran out into the water towards the first buoy. Not hav­ing had the chance to observe any starts, I just fol­lowed the peo­ple in front of me. The lake was very shal­low (I could have walked the whole swim course), so the deci­sion of when to switch from run­ning to swim­ming was an impor­tant one. There was a big crush get­ting around the first buoy, then the pack started to thin out some­what. Through most of the swim, I had plenty of room to maneu­ver. After round­ing the sec­ond buoy, I swam shore­wards until the water became too shal­low to get a good stroke. Once on shore, I had to run up a short flight of stairs and sprint a fair dis­tance to where Patrick was wait­ing with his bike.

Patrick Rounding the Last Curve

Patrick Round­ing the Last Curve

I made pretty good time in the water, so much so that Patrick wasn’t quite ready when I arrived. While he threw on his hel­met, I trans­ferred the neo­prene tim­ing chip anklet from my leg to his and ducked out of the tran­si­tion area to find Veron­ica and my towel. After dry­ing off and chang­ing, I grabbed my cam­era, and started shoot­ing pic­tures of other com­peti­tors. When the first cyclist came roar­ing down the final hill into the park, I wished Veron­ica good luck and set off to catch Patrick. From the spot I picked, I couldn’t see very far up the last down­hill curve. But, a cou­ple of pro pho­tog­ra­phers were stand­ing far­ther up the hill, and I used them as an early warn­ing sys­tem; when they reached for their cam­eras, I knew a cyclist was approaching.

Veronica Running

Veron­ica Running

After Patrick came tear­ing by, I went to try to catch Veron­ica at the start of her run. I didn’t get any good pics then, but I man­aged to catch her later at the fin­ish. Once she’d run across the line, we all hung out for awhile wait­ing for the results to be posted. We ended up doing pretty well for our first time out: 9th out of 38 relay teams. We were 6th in our divi­sion (co-ed relays). I beat my tar­get time (8:00) by more than a minute, Veron­ica beat her tar­get by nearly three min­utes, and Patrick came very close to his tar­get (he would’ve beaten it if his front derailleur hadn’t mal­func­tioned mid-race, leav­ing him with only his big chain ring for climb­ing hills). Our final time was 1:26:43. You can see all the results here (they put us under Veronica’s name, rather than that of our team: Musi­col­ogy May­hem). All in all, it was a lot of fun, even if we did have to wake up at 5 a.m.

Click here to see all of my pho­tos from the race. Soon, we should get a link to the pic­tures taken by the pro pho­tog­ra­phers. If there are any good ones, I’ll link to them as well.

Never Cry Wolf

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Never Cry Wolf is a 1983 film adap­ta­tion of Far­ley Mowat’s 1963 book of the same name. The film fea­tures Charles Mar­tin Smith as Tyler (a fic­tion­al­ized ver­sion of Mowat), a young biol­o­gist sent to study the impact of wolves on the cari­bou pop­u­la­tion in north­ern Canada. Tyler dis­cov­ers that the wolves sub­sist mainly on small mam­mals, and that their rep­u­ta­tion as ruth­less killers of larger ani­mals is com­pletely unfounded.

A while ago some­one (I can’t remem­ber who now — tell me if it was you) sug­gested that I watch Never Cry Wolf because it promi­nently fea­tures a bas­soon. This is an inser­tion of the film­mak­ers, though — there is no ref­er­ence to a bas­soon in Mowat’s book. In any case, the won­ders of Net­flix brought the movie to us, and we watched it a cou­ple of week­ends ago.

The gov­ern­ment agency that funds Tyler’s expe­di­tion sends all sorts of unnec­es­sary equip­ment with him — pal­lets full of toi­let paper, crates of gov­ern­ment carbon-copy forms, etc. But Tyler him­self brings along a seem­ingly super­flu­ous item: his bas­soon. But, shortly after he and his gear are dropped off by a bush pilot (Brian Den­nehy), he finds a use for it. Stand­ing alone in the mid­dle of a frozen lake at dusk, Tyler hears the howls of wolves. He grabs the clos­est weapon-like thing he can find with­out any seri­ous unpack­ing — the boot joint of his bas­soon — and hides under his upturned canoe:

Boot joint as weapon

Tyler (and his bas­soon) escape unscathed, and he man­ages to set up camp and begin his obser­va­tions. He befriends two Inuit men, Mike (Sam­son Jorah) and Ootek (Zachary Itti­mang­naq). They help him sur­vive the inhos­pitable cli­mate, and aid in his study of the wolves and cari­bou. A cou­ple of times in the movie, we see the three sit­ting out­side together in the evening, Tyler play­ing his bas­soon. He tries to mimic the howls and cries of dis­tant wolves:

Playing for the Wolves

At one point, Mike gives the bas­soon a try, too:

Mike Tries the Bassoon

I won’t say any­thing more about the plot, but the sound­track is worth men­tion­ing. As one might expect with so much on-screen time for Tyler’s bas­soon, there’s quite a bit of bas­soon in the movie’s music, as well. Rufus Olivier, cur­rently the prin­ci­pal bas­soon­ist of the San Fran­cisco Opera, plays throughout.

Every bas­soon­ist should see this movie, and I’d prob­a­bly also rec­om­mend it even if it didn’t have any double-reed con­nec­tion. The film is beau­ti­fully shot, and the arc­tic scenery is gor­geous. The plot is also quite com­pelling (although, I won­der how accu­rate the tagline “A True Story” is). So, add it to your Net­flix queue!

P.S. — Thanks to the won­ders of Wikipedia, I am also happy to report that Never Cry Wolf “is also note­wor­thy for being the first Walt Dis­ney film to show naked adult buttocks.”