Halloween on State Street

Madi­son is known for the mas­sive Hal­loween party that breaks out every year on State Street (the main pedestrian/bike/bus drag adja­cent to cam­pus). In the past few years, either the cel­e­bra­tions or the police (depend­ing on who you talk to) have got­ten out of hand, and riot shields, pep­per spray, and even tear gas have made appear­ances. So nat­u­rally, I had to go see what all the fuss was about.

This year, the city sought to con­tain the par­ty­ing, and worked with stu­dents to find a happy medium between bed­lam and bore­dom. They solu­tion at which they arrived was to fence off State Street, charge admis­sion, and add a cou­ple of live music stages to enable them to call it an ‘event’ and jus­tify the entrance fee. The sta­tus of the event was sort of up in the air; in fact, the fol­low­ing legally dubi­ous dis­claimer was printed on the back of the tickets:

The Hal­loween event on State Street is not spon­sored by the City of Madi­son or any other entity. No per­mit has been issued for this event. An admis­sion fee is charged solely for the pur­pose of pay­ing for some of the pub­lic safety costs gen­er­ated by the spon­ta­neous occur­rence of this event…

Tick­ets for a spon­ta­neous, non-sponsored event? An admis­sion fee for an event that takes place on a pub­lic street and has no per­mit? I make no claims of real legal knowl­edge, but some­thing seems wrong here.

The Cos­tumed Masses

Any­way, I went out with friends Veron­ica and Chelle at first. We walked all the way up State, look­ing at cos­tumes, but ended up at a bar out­side the offi­cial party zone, as we didn’t feel like wait­ing in line. Then, we con­nected with another group and did a lit­tle party hop­ping on and around State. By about 1:15, we had ended up back in the thick of things, and were wait­ing in line for a restaurant/bar. As we were stand­ing there, a long line of police­men started fil­ing in the near­est entrance. There must have been twenty-five or thirty in that group, and there were many entrances up and down the street.

Curi­ous about how the time change would be han­dled, we asked a cop and learned that they would start clear­ing the street at the first 1:30 (2 a.m. becom­ing 1 a.m. at the change). Since that meant we only had about ten min­utes left, most of us decided to bag the bar and started walk­ing up the street. Our des­ti­na­tion was the sec­ond floor State St. apart­ment of Jen­nifer (who was part of the group we’d joined ear­lier), from which we would have a good view of what­ever hap­pened when the cops started break­ing up the party.

We thought we had plenty of time, but as we reached an inter­sec­tion, the police started drag­ging fences across the road, in order to com­part­men­tal­ize the par­ty­ing. We man­aged to run past two mov­ing fences and made it to the block for which we were aim­ing. We pro­ceeded to watch from Jennifer’s win­dows (later, we ven­tured back down to the street to watch, as well) as police on foot, motor­cy­cle, and horse­back pro­ceeded to clear the area.

Police stand by under
the sta­dium lights

The whole thing had a very 1984 sort of vibe. The police pres­ence was mas­sive, and the offi­cers were garbed in some­thing between stan­dard uni­forms and full riot gear. A recorded announce­ment played peri­od­i­cally, thank­ing par­ty­go­ers for attend­ing, but encour­ag­ing them to leave the area so that clean-up crews could pre­pare for the fol­low­ing busi­ness day. Also, huge portable sta­dium lights lent an oth­er­worldly glow to the entire area.

Appar­ently the new mea­sures worked, there were about half as many arrests as last year, and no riot shields or large-scale chem­i­cal weaponry were employed. It was a fun time, but a lit­tle odd. Oh, and what was my cos­tume? I’ve been wait­ing for this one:

Click any of the thumb­nails above for larger ver­sions, or look at the entire (small) gallery here.

Essen Haus (Madison, Part 2)

The Boot

Sat­ur­day night after my audi­tion, Les­ley and Keith made some won­der­ful chili, and we watched Kill Bill Vol­ume 2. I’d only seen it once before, even though I’ve seen Vol­ume 1 four or five times. After that, we went out to a Ger­man restau­rant called Essen Haus. The place has a bunch of good Ger­man beers on draft, wait­resses in dirn­dles, wait­ers in leder­ho­sen, a polka band, and The Boot (more on that later). There, we met up with some of Les­ley and Keith’s friends: Amber, Dave, Susan, and Brad. The polka band, which con­sisted of accor­dian, guitar/banjo, and drum­set, was pretty cool. The guy’s accor­dian dou­bled as a midi con­troller, so he could pro­duce all kinds of sounds — it was a lit­tle con­fus­ing until we fig­ured out what was going on. In addi­tion to actual polka music, they played some other songs set in a polka style. Noth­ing too off the wall or Richard Cheese–esque, but it was still funny. I learned the basics of polka, but didn’t want to bounce around too long with a stom­ach full of beer.

Speak­ing of beer, I must explain The Boot. The Boot is some­thing to be enjoyed by a size­able group of peo­ple. It’s a glass boot that holds two liters of beer. But, the phys­i­cal man­i­fes­ta­tion of The Boot is sec­ondary to the rit­ual involved. Once served, The Boot can­not touch the table while it still con­tains beer. The first imbiber flicks The Boot, drinks his or her fill, flicks once more, and passes The Boot to the next par­tic­i­pant. This flick, drink, flick, pass pro­gres­sion con­tin­ues until The Boot has been drained. There is some strat­egy involved, how­ever. If you are the last one to drink from The Boot with­out fin­ish­ing it (i.e. the per­son right after you pol­ishes it off), you are oblig­ated to pur­chase the next Boot.

With Brad as ring­leader, we went through three Boots. I man­aged to deliver the coup de grâce to the third one, after the other Dave (who was directly before me in the rota­tion) bested the other two. It was a good night for Daves.

Later: the audi­tion itself.

Dancing Dogs

I spent much of my birth­day in a video record­ing ses­sion with the Uni­ver­sity Sym­phony. We were record­ing Ellen Taafe Zwilich’s “Peanuts Gallery” for a DVD and broad­cast on pub­lic TV. The morn­ing started with a dress rehearsal (in full con­cert dress for the ben­e­fit of video) at 9 am. After two hours of rehearsal and a lunch break, we came back to do a ‘con­cert’ for some groups of ele­men­tary school stu­dents and var­i­ous other peo­ple. We ran through the piece twice for the audi­ence, with the cam­eras rolling the whole time.

Fol­low­ing that, we did an encore of one move­ment — “Snoopy Does the Samba” — with (what else?) Snoopy doing the samba on stage. After the per­for­mance, most of the kids left, and those from one school came on stage to ask us ques­tions. This por­tion was unscripted, which meant that it took awhile for the kids to get up the courage to ask us any­thing. Very few kids were inter­ested in the bas­soon until they spot­ted my reed case with mul­ti­ple col­ors of reeds. Once the kids left for their punch and cook­ies, we went back to the piece, record­ing patches for things that weren’t quite right dur­ing the performance.