Folklife 2010

Zydeco Fiddler

Zydeco Fid­dler

Last week­end, I returned from Seat­tle, where I’d been work­ing at the North­west Folk­life Fes­ti­val. For the last eight years, I’ve worked as the festival’s Sig­nage Coor­di­na­tor (see posts from pre­vi­ous fes­ti­vals here). The weather this year was pretty crappy — unsea­son­ably cold and rainy, even for Seat­tle. But, I still man­aged to have a great time. Many of my cowork­ers have been at the fes­ti­val for many years as well, so I was happy to get to hang out with many of them again. As always, most of my work takes place before and after the fes­ti­val, and while the event is hap­pen­ing I have plenty of time to lis­ten to music and take pic­tures. I’ve posted my best shots here; click on the photo above to see the whole gallery.

Christmas Out West

Veron­ica and I just got back from a trip to visit my Mom out west. I flew to Nevada a few days before Christ­mas. My orig­i­nal flight was greatly delayed, but an adept United ticket agent rebooked me on a US Air flight that left Mil­wau­kee and arrived in Reno slightly ear­lier than my orig­i­nal itin­er­ary. Other than the air­line, the only other dif­fer­ences were that I flew through Phoenix rather than Den­ver, and the the sec­ond leg of my trip was in first class (merry Christ­mas to me!). On Christ­mas Eve day, we spent much of our time prep­ping food for a repeat of last year’s big din­ner party — between us we made three pies, a big salad, roasted veg­eta­bles, and a baked brie. The din­ner itself was quite a suc­cess; I think we had thir­teen peo­ple for the meal and a cou­ple more for dessert.

Tule Plants

Tule Plants

We didn’t cel­e­brate on Christ­mas Day itself, as Veron­ica wasn’t fly­ing into Reno until that evening. Instead, my mom and I drove out to the Still­wa­ter Wildlife Refuge east of Fal­lon, hop­ing to see some migrat­ing Tun­dra Swans. We only saw one other per­son at the refuge, and that was only briefly. Most of the time, the only evi­dence of civ­i­liza­tion we could see was the very road on which we were dri­ving. Unfor­tu­nately, there weren’t any swans to see, either. The refuge com­prises a net­work of lakes and wet­lands, but on the day we were there they were all frozen over. So, no open water to attract migrat­ing birds. We did see a few hawks, some Prairie Fal­cons, a cou­ple of Great Blue Herons, and one Bald Eagle, but all from a dis­tance. That evening, Veron­ica arrived fol­low­ing a rel­a­tively smooth trip.

Soaring Hawk at Washoe Lake

Soar­ing Hawk at Washoe Lake

We had our Christ­mas on Box­ing Day, emp­ty­ing our over­stuffed stock­ings, unwrap­ping presents, and eat­ing my mom’s deli­cious crème brûlée French toast. Then, we headed up to Reno (stop­ping at Washoe Lake along the way) for some shop­ping and a visit to the Nevada Museum of Art. The Museum isn’t huge, but it always seems to have very inter­est­ing exhibits. The fea­tured exhi­bi­tion this time was a col­lec­tion of more than 100 of Rembrandt’s prints. Although he’s known pri­mar­ily for his paint­ings, the Dutch­man was also a pro­lific print­maker. Since many of the works are small and have very fine details, the museum pro­vided mag­ni­fy­ing glasses to carry around the gallery with you. Not know­ing much about print­mak­ing, I appre­ci­ated that the cura­tors pro­vided good expla­na­tions of the processes, often show­ing mul­ti­ple ver­sions of the same print to show how changes in tech­nique can alter the final product.

Us on the Marin Headlands

Us on the Marin Headlands

The next day, we headed over the moun­tains to the Bay Area to stay with our friends David and Francesca. We had a pretty relax­ing visit — one day hang­ing out in Berke­ley, and one in San Fran­cisco. Among other things, we made a pil­grim­age to the orig­i­nal Peet’s, drove across the Golden Gate Bridge, shopped at the City Lights Book­store (where many of the beat poets hung out, and one of the best book­stores I’ve ever been to), and vis­ited the Legion of Honor Art Museum (more on that in another post). Our one sched­uled event while we were in Cal­i­for­nia was a great one — my mom took us to see Wicked. Veron­ica had seen it before, but the other two of us hadn’t. The pseudo-clockwork set was very cool, the show was funny, and the singers were amaz­ing. The lead roles were being played by the stand­bys, but they were great; except for the pro­gram, I wouldn’t have known they weren’t the regulars.

I didn’t take all that many pho­tos on the trip, but click the thumb­nails above to see my small­ish gallery. I’ll leave you with a pic­ture of Veron­ica behind bars at Bat­tery Spencer, over­look­ing the Golden Gate Bridge:

Veronica Behind Bars

Cave of the Mounds

Entering the Cave

Enter­ing the Cave

Over labor day week­end, my dad drove up to Wis­con­sin for a visit. Among other things, we hit the farm­ers’ mar­ket, went for a bike ride, and attempted to tour the Cap­i­tal Brew­ery (but, they were closed for a pri­vate event). But, one of the coolest things we did was a visit to the Cave of the Mounds in Blue Mounds, Wis­con­sin. The cave, which has no nat­ural open­ings of sig­nif­i­cant size, was dis­cov­ered in 1939 dur­ing a lime­stone quar­ry­ing oper­a­tion. Quar­ry­ing was halted, the cave was quickly devel­oped, and pub­lic tours began the fol­low­ing year. Though not a huge cave, the tour took about an hour. High­lights included a six-foot long cephalo­pod fos­sil in the cave’s ceil­ing and some inter­est­ing mul­ti­col­ored cave for­ma­tions.

Purple Asters with Bugs

Pur­ple Asters with Bugs

Cave of the Mounds also offers a cou­ple of short above-ground trails, which we walked after emerg­ing from the cav­ern. The trails offered myr­iad beau­ti­ful plant life, lots of insects and spi­ders, and not a few birds. I wasn’t able to get any decent bird pic­tures, but I did get a few good flower and bug pho­tos. Veron­ica gets the buf-spotting prize for the day; she found a katy­did blend­ing in with leaves, a cou­ple of siz­able grasshop­pers, and a bunch of daddy-long legs, all of which seemed quite con­tent to stay put long enough to be pho­tographed. Click here to see all of my above and below-ground pho­tos from Cave of the Mounds.

Also, here are some of my pre­vi­ous wild cav­ing pic­tures taken in Ten­nessee caves: Camp’s Gulf Cave, Indian Grave Point Cave, Cave of the Skulls, and Christ­mas Cave.

San Francisco

Golden Gate Bridge

Golden Gate Bridge

The week before last, I headed out west to visit my mom in Nevada. We spent one day at Lake Tahoe, swim­ming, sun­ning, and Shake­speare­ing. We saw Much Ado About Noth­ing, which was far bet­ter than last year’s A Mid­sum­mer Night’s Dream. The next day, we drove to Napa (by way of Fry’s Elec­tron­ics) to visit friends Mark and Dawn. We weren’t there long enough to actu­ally tour any winer­ies, but we did take a scenic drive through the vineyards.

Most of our time, though, was spent in the Bay Area. We again stayed with friends David and Francesca (and their daugh­ter Maria) in Oak­land. Our intent was to have a relax­ing visit, so we spent quite a bit of our time there just hang­ing out and doing some shop­ping in Berke­ley. I made a pil­grim­age to the orig­i­nal Peet’s on Vine, and picked up a good sup­ply of Moli­nari salame — one of my favorite foods in the world — at Gen­ova Del­i­catessen. I also made a trip to Forrest’s for a bas­soon pickup (more on that soon).

Sphinx Outside the de Young

Sphinx Out­side the de Young

My mom and I only went across the bay to San Fran­cisco on one day, but we squeezed in quite a bit. We started off at the de Young Museum to see the trav­el­ing King Tut exhibit. We got there early, and man­aged to see much of it before the crowds arrived. The exhibit included many arti­facts asso­ci­ated with Tutankhamun’s prob­a­ble ances­tors (his pre­cise lin­eage is uncer­tain), as well as those from the tomb of the boy king him­self. Unfor­tu­nately the most famous Tut arti­fact, his gold funeral mask, no longer trav­els out­side Egypt. But there was cer­tainly no short­age of other breath­tak­ingly beau­ti­ful objects to see.

Golden Gate Park Band

Golden Gate Park Band

We spent about an hour and a half work­ing our way through the exhibit, then spent some time else­where in Golden Gate Park. We took a stroll through the Japan­ese tea gar­den, although since we’d just stopped at the de Young’s cafe, we didn’t actu­ally have tea. Then, we walked over to the Tem­ple of Music, where the Golden Gate Park Band was set­ting up for an after­noon con­cert. That afternoon’s con­cert con­sisted of all Broad­way tunes, and we stuck around and lis­tened for a lit­tle while.

Kiteboarder Under the Bridge

Kite­boarder Under the Bridge

We’d brought a pic­nic lunch with us, and we drove out to the beach to eat it. It was over­cast and hazy, but still nice to sit on the sand and enjoy the sea breeze dur­ing our meal. After lunch, we headed over to the Golden Gate Bridge. We parked at bridge level and walked down a steep path to the water­front near Fort Point. The clouds were low enough to obscure the tops of the bridge’s tow­ers, which made for some dra­matic photo oppor­tu­ni­ties. Many sail­ing craft of all sorts were out on the bay that day, tak­ing advan­tage of the brisk wind. We spot­ted a group of kite board­ers zoom­ing across the water. A cou­ple of the more dar­ing ones were play­ing under the bridge and even beyond it in the open ocean.

As usual, click the pho­tos above for larger ver­sions, or check out the whole gallery here. The gallery con­tains a panorama of the city across the bay I stitched together from five or six sep­a­rate pic­tures. The ver­sion in the gallery isn’t very big, though. Here’s a much larger ver­sion.

Sprecher Brewery Tour

This past week­end, Veron­ica and I took a quick overnight trip to Mil­wau­kee. We went for a vari­ety of rea­sons: to visit her fam­ily, to see some of her friends, and to go to the big annual book sale at All Saints’ Cathe­dral down­town. Those plans left us some free time on Sat­ur­day, so we decided to take a tour of the Sprecher Brew­ing Com­pany in Glen­dale, a Mil­wau­kee sub­urb. Sprecher is best known for their root beer and seven other vari­eties of soda. And with good rea­son — the New York Times rated Sprecher root beer the best out of 25 brands from around the coun­try. Indeed, soda was the only prod­uct I asso­ci­ated with them until last week. But Ran­dall Sprecher started the com­pany as a beer brew­ery, and they brew a wide vari­ety of beers.

The tour was short (due to the small size of the brew­ery, but pretty good. Since it was the week­end, no one was there actu­ally brew­ing or bot­tling, but our guide gave detailed descrip­tions of both processes, along with some of the company’s his­tory. At the end of the tour of course comes the req­ui­site tast­ing ses­sion — four sam­ples of your choice from a selec­tion of ten beers on tap. But we, along with about ten other peo­ple, bypassed the nor­mal tast­ing in favor of a spe­cial Reserve Tast­ing. This tast­ing included sam­ples of ten dif­fer­ent Sprecher beers (includ­ing some pre­mium vari­eties not avail­able in the reg­u­lar tast­ing), each paired with a dif­fer­ent cheese.

We tried, in order, their Hefe Weiss, Extra Pale Ale, Mai Bock, Pub Brown Ale, IPA², Abbey Triple, Pipers Scotch Ale, Black Bavar­ian, Bar­ley Wine, and Bour­bon Scotch Ale. The var­i­ous cheeses came mostly from Wis­con­sin cheese mak­ers, includ­ing Sar­tori, Maple Leaf, Carr Val­ley, and oth­ers. The only cheese from out­side the state was the deli­cious Ker­ry­gold Dubliner, which was paired with Sprecher’s oak bour­bon barrel-aged Bour­bon Scotch Ale. Matt, the guy run­ning the tast­ing, did a great job telling us about each cheese and each beer as we went along, and we were pro­vided with tast­ing sheets with more detailed infor­ma­tion (IBUs, degrees Plato, types of hops, etc.) and space for tak­ing notes as we went.

It was nice to sam­ple so many beers at once; the process gave not only an overview of Sprecher’s beers, but a good side-by-side com­par­i­son of dif­fer­ent beer styles. I think Veron­ica and I agreed that the Abbey Triple was our favorite, fol­lowed closely by the Hefe Weiss. From there our indi­vid­ual rank­ings diverged some­what. The cheeses were all quite deli­cious. Who­ever selected the pair­ings knew what they were doing; some cheeses com­ple­mented their respec­tive beers, other pro­vided delight­ful con­trasts. This sort of thing seems to be catch­ing on — the New Glarus Brew­ing Com­pany (which I’ve now toured three times) near Madi­son just announced their own Hard Hat Tours, which are behind-the-scenes guided tours cul­mi­nat­ing in a beer and cheese tast­ing ses­sion. Per­haps it’s time for a fourth trip to New Glarus…

Chicago Weekend, Part 2

Start with Part 1, if you haven’t seen it already.

Chris and Veronica

Chris and Veronica

Fri­day evening was Veronica’s per­for­mance at the gui­tar fes­ti­val. She and Chris, the gui­tarist from UW, played first on the festival’s open­ing con­cert. I glanced through the pro­gram book­let, and I’m pretty sure that Veron­ica was the only non-guitarist per­form­ing all week­end. The two of them did an excel­lent job — they played two move­ments of Mauro Giu­liani’s Grand Duo Con­cer­tant. I’m look­ing for­ward to hear­ing the whole piece on Chris’s recital in a cou­ple of weeks.

Sue the T-Rex

Sue the T-Rex

On Sat­ur­day, we got up rel­a­tively early and checked out of the hotel. We were able to leave our bags there while we headed off to the Field Museum. Our main objec­tive at the Field was to see their tem­po­rary Real Pirates exhibit. We arrived fairly early, so we were able to breeze right in to both the museum and the pirate exhibit. The exhibit fol­lows the his­tory of the Why­dah, a slave ship turned pirate ship. So, it starts out detail­ing the ship’s par­tic­i­pa­tion in the Atlantic slave trade of the early 18th cen­tury, then picks up with the story of Sam Bel­lamy, the pirate cap­tain who cap­tured her in the Caribbean. The exhibit does a good job of explain­ing the var­i­ous sorts of lives at sea — those of a slave, a pirate, and a sailor in the King’s navy. The exhibit is pep­pered with arti­facts from the Why­dah — can­non, pis­tols, pieces of eight, etc. The ship sank off Cape Cod in a storm in 1717 and was found by a team led by Barry Clif­ford in 1984. Part­way through the exhibit, I was a lit­tle dis­ap­pointed at the arti­fact to dio­rama ratio, but a whole sec­tion about the recov­ery of the ship and con­ser­va­tion of its arti­facts set that straight.

We vis­ited the Field a cou­ple of years ago, so many of the exhibits were fresh in our minds. We did go through the dinosaur hall again, though (I’ve always been a dinophile). We also spent some time in a cou­ple of small tem­po­rary exhibits, one fea­tur­ing ancient jew­elry from around the Mid­dle East, and another of pho­tographs of the mas­sive Hindu Kumbha Mela pil­grim­age. Sadly, we didn’t have the time or energy to see the other big tem­po­rary exhibit, The Aztec World.

A Colorful Wall Across the Street From Our Hotel

A Col­or­ful Wall Across the Street From Our Hotel

We made some great food choices through­out our visit, thanks in no small part to the Yelp.com iPhone appli­ca­tion. Yelp lets you search for busi­nesses near your cur­rent loca­tion and pro­vides user-supplied rat­ings and reviews for them. Aside from the deep-dish pizza we had the first night, we had a deli­cious break­fast at the Bongo Room, great very fresh sushi at Oysy, and delec­table Cuban sand­wiches at Cafecito. We even found an impres­sively stocked inde­pen­dent liquor store where we were able to buy a bot­tle of Goats Do Roam red and a bar of Ghi­rardelli dark choco­late, thus bypass­ing the allure of our hotel room mini-bar.

The only snag in our trip came at the end. When we attempted to pur­chase our return trip Metra tick­ets at Union Sta­tion, the agent informed us that on the week­end, trains don’t go as far as the sta­tion where we’d parked the car. Whoops. We got on the train any­way, fig­ur­ing we’d find a cab to take us the rest of the way. But, we remem­bered that our friends Les­ley (of Le Tri­an­gle d’Or) and Keith were in Elgin that week­end vis­it­ing Keith’s fam­ily. They agreed to pick us up and ferry us to the other sta­tion. Even bet­ter than that, they invited us to stay for a deli­cious din­ner with Keith’s par­ents and sis­ter. So, what appeared to be a snag turned out to be serendipitous!

As usual, click any of the pho­tos above to see the whole gallery.

Chicago Weekend, Part 1

Museum of Science and Industry

Museum of Sci­ence and Industry

Last week was our much-needed spring break. Veron­ica was slated to play at the Mid-America Gui­tar Ensem­ble Fes­ti­val (at Roo­sevelt Uni­ver­sity) with a gui­tarist from UW, so we used that as an excuse to spend a few days in Chicago. We landed a great hotel deal via Hotwire.com and stayed at the Chicago Hilton, which over­looks Grant Park and is walk­ing dis­tance from the Art Insti­tute of Chicago‎, the Field Museum, the Shedd Aquar­ium, and lots of other cool stuff. The only down­side of our ritzy down­town digs was that park­ing was $43 bucks a night. So, we parked in Elgin (at a rate of $1.50/night) and took the Metra com­muter rail into town.

We rolled into town on Thurs­day after­noon, hoofed it from Union Sta­tion to our hotel, and set­tled in. For din­ner, we hit Lou Malnati’s — a local pizza chain. I have to say that I’ve never been a fan of Chicago-style deep-dish, but this place changed my mind. Our main event for the evening was going to a tap­ing of the NPR news quiz show “Wait Wait… Don’t Tell Me!” We lis­ten to the show reli­giously, and had been talk­ing for awhile about see­ing it live. We showed up about twenty min­utes before the doors opened, and it was already packed. Luck­ily we’d already bought tick­ets, so we just joined the throng wait­ing to enter the auditorium.

The show itself was a blast! The pan­elists (for this show: Tom Bodett, Kyrie O’Connor, and Paul Provenza), host Peter Sagal, and score­keeper Carl Kas­sel came onstage to a dark­ened room, flash­ing lights, and the Chicago Bulls’ entrance music. Carl even ran out, wav­ing his arms and high-fiving the panel. The show itself took some­where between an hour and a half and two hours to record. Quite a bit gets cut before the show airs, but it was all funny. Per­haps the fun­ni­est moment was some­thing not writ­ten for laughs at all. The bulk of the show’s mate­r­ial was about the cur­rent eco­nomic cri­sis, with lots of talk about fail­ing banks and shady deals made by said banks. At the end of one of the show’s seg­ments, Peter started doing his lit­tle spiel about the show’s spon­sors — one of which is LendingTree.com. When he got to the line “When banks com­pete, you win,” every­one erupted in laugh­ter. He had to re-do that bit twice to get a laugh-free version.

U-505

U-505

We spent most of Fri­day at the Museum of Sci­ence and Indus­try, which occu­pies one of the only remain­ing build­ings from the 1893 World’s Columbian Expo­si­tion. The museum has lots of cool stuff, and strikes a pretty good bal­ance between activ­i­ties and exhibits for kids and things for adults. I spent a lot of time mar­veling at how they got var­i­ous things into the build­ing: the entire Pio­neer Zephyr stream­lined train, a Boe­ing 727, and a Ger­man sub­ma­rine U-505. I espe­cially enjoyed the Trans­porta­tion Gallery, the U-505, and the exhibit of Ships Through the Ages. The museum was packed with school groups, so we didn’t get to see every­thing we would have liked to. But, that means we should have plenty of things to see the next time we visit.

A Goose in a Tree!

A Goose in a Tree!

After exit­ing the museum, we walked all the way around it to see the rest of the build­ing and to look at it across the rem­nants of the lagoon from the World’s Fair. The build­ing itself is quite cool, with lots of columns, stat­ues, pre-distressed friezes, and domes. See the gallery for more exte­rior shots and close-ups of some of the archi­tec­tural detail. As I was tak­ing pic­tures across the lagoon, Veron­ica pointed up at a tree — there was a large goose sit­ting in it! I don’t think I’ve ever seen a goose in a tree before, and one of its com­pan­ions walk­ing around on the ground seemed con­fused by it as well.

I’ll con­tinue the story soon. Mean­while, click any of the pho­tos above to view the rest of the pho­tos from our weekend.

San Francisco

Rocks at Sunset

Rocks at Sunset

A cou­ple of week­ends ago, my mom and I headed over the moun­tains to Berke­ley (I’d been vis­it­ing her in Car­son City, NV for Christ­mas). There had been quite a bit of snow in the pre­ced­ing days, and although the much of it cleared by the time we set out, the roads weren’t in the great­est shape. We had to peri­od­i­cally merge into a sin­gle lane of traf­fic to make room for heavy-duty snow-clearing machines that were work­ing on push­ing back the walls of snow (which were 6–7 feet high in places). Snow and other traf­fic prob­lems made for a longer-than-normal drive. We arrived in Berke­ley Fri­day evening, and didn’t do much except have din­ner and hang out with our hosts — friends David and Francesca and their daugh­ter Maria.

On Sat­ur­day, we spent the day mainly shop­ping in Berke­ley. We made a trip to the orig­i­nal Peet’s Cof­fee and Tea, since I’d never been. We had lunch at Spenger’s, a seafood restau­rant and Berke­ley fix­ture that was family-owned until recently. Spenger’s is where I first tasted cala­mari, and I com­mem­o­rated this fact by eat­ing a big juicy cala­mari steak for lunch. We hit a vari­ety of inter­est­ing shops around town, includ­ing Black Oak Books, The Bone Room, Gen­ova Del­i­catessen, and Forrest’s Music, a dou­ble reed sup­ply company.

California Academy of Sciences

Cal­i­for­nia Acad­emy of Sciences

The whole gang (Francesca, David, Maria, Mom, and me) headed to Golden Gate Park in San Fran­cisco with the intent of vis­it­ing the new Cal­i­for­nia Acad­emy of Sci­ences (at left). By the time we arrived, how­ever, the line to merely get in the door was about 2 hours long. So, we decided to visit the adja­cent De Young Museum of Art instead. The museum had three spe­cial exhibits: Maya Lin’s Sys­tem­atic Land­scapes, a col­lec­tion of 20th cen­tury Asian-American art, and the designs of Yves Saint Lau­rent. I par­tic­u­larly enjoyed the Maya Lin exhibit — it con­sisted of a vari­ety of sculp­tures based on maps and topog­ra­phy. The De Young’s per­ma­nent col­lec­tions were quite inter­est­ing, as well. They have quite a range of gal­leries, split pretty equally between tra­di­tional (Amer­i­can, African, and South Pacific) and mod­ern art forms.

Dusk

Dusk

After leav­ing the museum and the park, we headed to the coast to watch the sun­set over Cliff House and the Sutro Baths. I took some time to play with long expo­sures of the sun set­ting behind some rocks off­shore (above) and the traf­fic below us (at right). Click any of the thumb­nails to view the gallery that includes these pho­tos as well as pics of some of the cooler things at the De Young.

Nevada Rock Art

When we were vis­it­ing my mom in Nevada last month, one of the activ­i­ties she arranged for us to do was to take a guided tour of Grimes Point Archae­o­log­i­cal Area. Grimes Point lies about an hour an a half east of Car­son City, near the town of Fal­lon. For much of the last 10,000 years, a lake existed in the area — mak­ing it an attrac­tive place for native peo­ples to set­tle. Fluc­tu­at­ing water lev­els resulted in mul­ti­ple dis­tinct areas and lay­ers of occu­pa­tion. Today, the site sits sort of out in the mid­dle of nowhere, with no siz­able body of water in the imme­di­ate vicinity.

Pet­ro­glyphs

Grimes Point has two main draws: Hid­den Cave and the Pet­ro­glyph Trail. Hid­den Cave is only open a cou­ple of times a month, so we’ll have to do that on another trip. The Pet­ro­glyph Trail is always open, but we had a spe­cial guided tour. I’ve seen pet­ro­glyphs in a num­ber of places in Ari­zona and New Mex­ico, but never in as high a con­cen­tra­tion as there is at Grimes Point. Just about every siz­able rock had some sort of rock art on it, and many were prac­ti­cally cov­ered. Some of the old­est pet­ro­glyphs (roughly 8,000 years old, I think) have been almost entirely reclaimed by the desert, and are only vis­i­ble from cer­tain van­tage points or in cer­tain light. (Most pet­ro­glyphs in the Amer­i­can South­west are cre­ated by scrap­ing the dark patina — known as ‘desert var­nish’ — off of rocks. The ‘var­nish’ is rede­posited over time, mean­ing that the old­est glyphs are now almost the some color as the sur­round­ing rock.)

We saw quite a range of iconog­ra­phy and tech­niques. Some of the ear­li­est carv­ings are deep snake-like grooves and lit­tle round depres­sions known as ‘cupules.’ Later work ranges from seem­ingly abstract geo­met­ric sym­bol and designs to things that are more obvi­ously rep­re­sen­ta­tional: ani­mals, peo­ple, and the like. Some motifs are sim­i­lar to glyphs at Pet­ro­glyph National Mon­u­ment and oth­ers I’ve seen, but the style is com­pletely dif­fer­ent (as one would expect from dif­fer­ent cul­tures liv­ing in sim­i­lar but dis­tant areas). One par­tic­u­lar exam­ple is the spi­ral — a motif the seems to be pretty com­mon across the south­west. Spi­rals I’d seen before have very thin lines, lots of rota­tions, and are quite com­pact. The one spi­ral we saw at Grimes Point was con­structed from a very wide line that only makes two-and-a-half or three rotations.

I took lots of pho­tos on our walk, many of them attempts to cap­ture the same glyphs from dif­fer­ent angles. I cut the col­lec­tion down quite a bit, and posted 22 pic­tures in a gallery. Click any of the pho­tos above to view the whole set.

Swimming and Shakespeare

When we were in Nevada a few weeks ago, we spent an after­noon and evening at Sand Har­bor on Lake Tahoe. It was hot out­side, and refresh­ingly (if ini­tially shock­ingly) cold in the lake. The water is very clear, although there wasn’t a whole lot to see — near the beach, at least. It was pleas­ant to go for a swim in a large body of water, dry out on the sandy beach, and real­ize that I wasn’t cov­ered in either salt or lake sludge.

Stage by the Lake

After we’d had our fill of the beach, we cleaned up and walked over to the Lake Tahoe Shake­speare Fes­ti­val’s out­door stage, which has the lake for a back­drop. My mom had got­ten us tick­ets to that evening’s pro­duc­tion of A Mid­sum­mer Night’s Dream. After find­ing our seats, we sat down to a deli­cious pic­nic assem­bled by the var­i­ous mem­bers of our group. The food was tasty, the venue was gor­geous, and the play was… weird. Most of the Athe­ni­ans were rich yacht club types (a good fit for many of Tahoe’s sum­mer res­i­dents), while the rebel­lious Her­mia and Lysander were goths. The faeries were mostly pseudo native Amer­i­can, except for the token black guy wear­ing a loin­cloth and car­ry­ing a spear. The mechan­i­cals were a vari­ety of blue-collar work­ers, with Nick Bot­tom as a guitar-wielding hot dog vendor.

To these dis­parate (and never sat­is­fac­to­rily explained) groups was added a bizarre mish­mash of music. Nick Bot­tom came out to The Boss’s “Born in the USA.” The var­i­ous songs within the play were sung in rock-ish set­tings with instru­ments played by mem­bers of the com­pany. Through­out the play, a new-age Navajo — who was often on stage — played so-called “Native Amer­i­can flute.” Per­haps the weird­est thing came at the end. Dur­ing Puck’s solil­o­quy (“If we shad­ows have offended…”) the flutist played and another Indian con­duct­ing a smudg­ing cer­e­mony on stage. The whole thing was a hodge­podge of dif­fer­ent and largely uncon­nected direc­to­r­ial direc­tions. But, at least we had plenty to talk about on the ride back down to Car­son City.

Washoe Lake

About a week ago, Veron­ica and I returned from vis­it­ing my mom in Car­son City, Nevada. We were there for about a week, and did a whole bunch of fun stuff, like swim­ming in and boat­ing on Lake Tahoe, see­ing a bizarre pro­duc­tion of A Mid­sum­mer Night’s Dream, vis­it­ing the Nevada Art Museum, get­ting a guided tour of an area with lots of pet­ro­glyphs, and attend­ing the Car­son City Jazz Fes­ti­val. I took a bunch of pic­tures, and will be post­ing them in chunks over the next week or so.

Praying Mantis
Pray­ing Mantis

The first set of pic­tures is from Washoe Lake, which lies just north of Car­son City. Much of the shore of the lake is part of a state park, which includes a cou­ple of wildlife obser­va­tion plat­forms. Walk­ing around the south­ern shore of the lake, we saw quail, ducks, but­ter­flies, and a lone great blue heron. I almost stepped on a large pray­ing man­tis, who I was cer­tainly not expect­ing to find on the gravel path on which we were walk­ing. (S)he was a very coop­er­a­tive model, let­ting me take lots of pic­tures, and at times even seem­ingly mug­ging for the camera.

At Lit­tle Washoe Lake, just north of its larger name­sake, we spot­ted a clus­ter of pel­i­cans float­ing, with one soar­ing over­head. Unfor­tu­nately, they were too far away for any decent pho­tos. While dri­ving between the lakes, how­ever, we came upon a red-tailed hawk perch­ing on a bale of hay. I man­aged to snap a cou­ple of pic­tures from the car before he flew off to join a friend atop a nearby tele­phone pole.

Click any of the above pho­tos to see the whole gallery.

Wandering in Seattle

The Thurs­day after the Folk­life Fes­ti­val, I had a free day to roam around Seat­tle. As is my wont, I cel­e­brated my first day of free­dom from walk­ing around the fes­ti­val grounds all day by… walk­ing around the city all day. I started out the day by meet­ing Jerin for morn­ing coffee/tea at Elliot Bay Books. After that, I spent awhile shop­ping in and around Pio­neer Square and Pike Place Mar­ket. I had an amaz­ing lunch at the Three Girls Bak­ery — a big slab of baked salmon with havarti, spicy Dijon mus­tard, and let­tuce on fresh rose­mary gar­lic bread. It was the best sand­wich I’ve had in recent mem­ory. I ducked into a lit­tle record shop at Pike Place before mov­ing on. In the jazz ‘New Arrival’ bin, I found an LP by the Aus­tralian Jazz Quin­tet — a group that fea­tured Erroll Bud­dle on bas­soon and tenor sax, and whose LPs I’d hereto­fore only been able to find on eBay.

Calder's Eagle
Alexan­der Calder’s “Eagle”

Next I headed to the rel­a­tively new Olympic Sculp­ture Park, an exten­sion of the Seat­tle Art Museum that sits right on the water­front. The park has quite a few per­ma­nent pieces by sculp­tors such as Louise Bour­geois, Ellsworth Kelly, and Alexan­der Calder. There are also a num­ber of tem­po­rary pieces on dis­play, most promi­nently (right now, at least) a num­ber of giant orange safety cones by Den­nis Oppen­heim. The park is also home to the PACCAR Pavil­ion, an expan­sive gallery space that cur­rently houses a large and inter­est­ing instal­la­tion by Geoff McFetridge called “In The Mind”.

After spend­ing awhile in the Sculp­ture Park, I con­tin­ued strolling around town. I stopped in at the mag­nif­i­cent Rem Kool­haas–designed Seat­tle Pub­lic Library to pick up a lit­tle some­thing for Veron­ica. I’d been there before, so I didn’t stay too long. Next, I wan­dered past City Hall and up into the Inter­na­tional Dis­trict for some sushi. Along the way, I spot­ted the fan­ci­est fire sta­tion I’ve ever seen, and a very decrepit for­mer hotel. Soon, I’ll have some pic­tures to post from the last por­tions of my trip — involv­ing boats, trains, and an eccen­tric millionaire.

Folklife, Part 2

I had very lit­tle to do on Memo­r­ial Day, the last day of the fes­ti­val, other than repair some easels and dis­trib­ute a cou­ple of spon­sor ban­ners to stages for spe­cific shows. So, I was able to spend most of my time walk­ing around, tak­ing pic­tures, and lis­ten­ing to music. There’s always at least one Taiko group at Folk­life, and the high-energy shows are always fun to watch. The group I saw this year was Inochi Taiko, which per­formed early Mon­day after­noon. Other high­lights of the day included a pro­fes­sional jump-rope troupe (I had no idea such things existed), a per­for­mance by my friend Jerin, and per­haps the last thing I expected to see/hear at the fes­ti­val: a sing-along per­for­mance of Mozart’s Requiem Mass.

Punk Fid­dler

Mon­day evening, it was time to start break­ing down all of the fes­ti­val gear. I went around to the var­i­ous stages and areas, scram­bling to take down signs as soon as the pro­gram­ming in each place wrapped up. I worked until about mid­night, and man­aged to get most things pulled down that night. I was happy that this year — unlike every other year I’ve worked the fes­ti­val — none of my ban­ners were taken out by overly tall box trucks. After the pro­duc­tion crew and I had fin­ished for the night and locked up, we set out for some cel­e­bra­tory bev­er­ages. As soon as we turned around to start walk­ing, a Pepsi truck sped up the road in front of us and — BAM! — hit a ban­ner, rip­ping out two cor­ner grommets.

With the help of my able assis­tant Whit­ney, all the sig­nage was taken down, sorted, and put away by Wednes­day morn­ing. I then threw my efforts into help­ing pro­duc­tion fin­ish all of their stuff. I think we were done in record time, and quickly com­menced the annual unof­fi­cial pro­duc­tion wrap party/bar crawl. As always, the fes­ti­val was a lot of work, but also very fun. After doing the same job for five years, it’s fairly low stress for me now.

I’ve posted another dozen or so pho­tos from Mon­day — click any of the thumb­nails above to see them.

Folklife Number Six

I’m cur­rently in Seat­tle, work­ing at the North­west Folk­life Fes­ti­val for the sixth con­sec­u­tive year. (Posts from pre­vi­ous fes­ti­vals here, here, here, here, and here. I’m once again work­ing as the Sig­nage Coor­di­na­tor, over­see­ing all the signs and ban­ners for the 4-day fes­ti­val. Things have run rel­a­tively smoothly for me despite some unex­pected set­backs, like the removal dur­ing the past year of a num­ber of trees from which I usu­ally hang ban­ners. I’m worn out though; I’ve been get­ting to Seat­tle Cen­ter between 7 and 8 a.m. for the last week, and leav­ing between 6 and 11 p.m. Tomor­row, the last day of the fes­ti­val, I plan to go in a lit­tle bit later. It’ll be a late night though, as we start to tear things down as soon as the fes­ti­val is over.

Israel Shotridge -
Tlin­git Mas­ter Carver

The weather has been beau­ti­ful, and I’ve had a fair amount of time to walk around and enjoy the fes­ti­val. We (the staff) were given coupons for free meals from var­i­ous food ven­dors, so I’ve been stud­ding myself with fes­ti­val food for the past few days. Tonight I had my favorite fes­ti­val dish: the black­ened salmon Cae­sar salad from Scotty’s. That rep­re­sents just about the pin­na­cle of fes­ti­val nutri­tion; my other selec­tions have included Ben & Jerry’s Half Baked ice cream and an ele­phant ear.

I’ve had a chance to play with my new cam­era some more. I’m still get­ting the hang of it, but I’ve man­aged to get a few decent pic­tures. I’ve posted 30 or 40 of what I’ve shot so far. I’ll prob­a­bly have some more after tomor­row. Click any of the thumb­nails above to visit the gallery.

Nevada State Railroad Museum

Last Mon­day, I paid a visit to the Nevada State Rail­road Museum in Car­son City. I’ve always been fas­ci­nated by trains — I used to spend long hours play­ing with my elec­tric train set, tak­ing over as much floor space in the liv­ing room as I could get away with. I still like watch­ing trains go by, and have taken some rail­road pho­tos before. The museum is small, but they’ve man­aged to pack quite a bit into the avail­able space. Also, they’ve done a pretty good job with the inter­pre­tive signs that accom­pany each exhibit. The museum’s col­lec­tion and exhibits focus on the Vir­ginia & Truc­kee Rail­road. The V&T was a short line that ran from 1870 until 1938 1950, con­nect­ing the mines in and around Vir­ginia City with ore pro­cess­ing plants in Car­son City and Reno. Pas­sen­ger trains ran between these cities and sur­round­ing com­mu­ni­ties, as well. Update: See NSRM vol­un­teer Jim Lohse’s com­ment on this post for more about the final days of the V&T.

V&T #22 — Inyo

The crown jewel of the museum’s col­lec­tion is Vir­ginia & Truc­kee Loco­mo­tive #22, which was given the name Inyo. The Inyo was built in 1875 by the Bald­win Loco­mo­tive Works in Philadel­phia, PA. The loco­mo­tive pulled both freight and pas­sen­ger trains on the V&T for about 50 years, being more or less retired in 1926. This yeo­man ser­vice surely earned the Inyo the admi­ra­tion of its engi­neers and crew, but its real fame did come about until later. In 1937, Para­mount Pic­tures acquired two loco­mo­tives and a num­ber of rail­cars from the V&T for use in movies. The Inyo’s first on-screen appear­ance was in the Jerome Kern/Oscar Ham­mer­stein musi­cal High, Wide, and Hand­some. The loco­mo­tive also appeared in Union Pacific, Red River, and The Great Loco­mo­tive Chase. But, the role in which I know the Inyo best is in the old TV show “The Wild Wild West” — the 60s series on which the hor­ri­ble Will Smith/Kevin Kline movie was loosely based. Para­mount sold the Inyo to the State of Nevada in 1974, and sub­se­quently under­went restora­tion to its orig­i­nal appear­ance and functionality.

In addi­tion to the two loco­mo­tives pic­tured above (and their ten­ders), the main museum build­ing cur­rently houses a box car, a flat car, and a cou­ple of pas­sen­ger coaches. There are a cou­ple of smaller-scale exhibits as well. HO-scale mod­els of var­i­ous his­toric pas­sen­ger trains are dis­played in a case next to a work­ing HO lay­out. A small case con­tains items from Nevada’s “Merci Car” — one of 49 box­cars given to the cit­i­zens of the US by France fol­low­ing World War II. My favorite of the smaller exhibits was “Loco­mo­tive Sto­ries of the V&T.” This con­sists of exquis­itely detailed hand­made mod­els of six­teen V&T loco­mo­tives, cre­ated by George L. Richard­son and donated to the museum. The mod­els are accom­pa­nied by pho­tographs of the orig­i­nal loco­mo­tives in ser­vice, infor­ma­tion about their con­struc­tion and use, and details about their cur­rent sta­tuses and post V&T uses, if any.

Turntable and Roundhouse

The museum grounds include a num­ber of things out­side the main build­ing. A Union Pacific caboose (pic­tured above) sits on rails just out­side the museum proper. Not far from that is a round­house with accom­pa­ny­ing turntable. The muse­ums col­lec­tion is much larger that what is on dis­play, and at any one time, a few of its pieces are under­go­ing restora­tion. Although I wasn’t able to inves­ti­gate fur­ther, I assume that this round­house is used for both stor­age and restora­tion. A short track encir­cles the museum grounds, con­nect­ing to the round­house and serv­ing a small recre­ated sta­tion. Steam trains and gas-powered motor­cars tra­verse this track dur­ing warmer months — I look for­ward to revis­it­ing the museum when they’re running.

Tahoe From Above

Last Sun­day, my mom and I drove back up to Tahoe, this time to the south end of the lake. Just on the Cal­i­for­nia side of the CA/NV bor­der lies the Heav­enly Moun­tain Resort, a pop­u­lar des­ti­na­tion for skiers and snow­board­ers. We weren’t there for the ride down the moun­tain, though; we were there for the ride to the top, and the views it would afford of the lake and other sur­round­ing moun­tains. The lower end of the ski area is actu­ally quite a way up the moun­tain, and is acces­si­ble either by road, or by a 2.4-mile-long gon­dola lift (our choice).

Gon­do­las Leav­ing the
Bot­tom Station

The gon­do­las leave from a sta­tion that sits at about 6,200 feet, less than a half mile from the shore of Lake Tahoe. As you ride to Malcolm’s Deck — the first stop — you climb an ear-popping 3,000 feet or so. In the photo at left, the ver­ti­cal white line on the left side is the path the gon­do­las take up the moun­tain. The Deck sits below the actual ski area, and is solely for sight-seeing. On the day we vis­ited, the resort was packed with skiers and snow­board­ers, but they all con­tin­ued up the moun­tain, leav­ing the Deck much less crowded. The view from 9,123 feet is spec­tac­u­lar — you can see prac­ti­cally all of the 191 square miles of lake sur­face, and moun­tains in every direc­tion. Smaller and closer sights include inter­est­ing rock for­ma­tions, snow-covered conifers, and lit­tle chick­adees flit­ting around in the snow.

After we’d had our fill of the view (and hot choco­late), we hopped back into a gon­dola and rode to the bot­tom of the ski area. This actu­ally involved a neg­li­gi­ble change in ele­va­tion — we only climbed another 30 feet or so. The resort actu­ally strad­dles the state line, and at the ski area, one has to choose between Cal­i­for­nia trails (to the right) or Nevada trails (to the left). We stayed only briefly at the top, then again boarded a gon­dola for the trip back down the moun­tain. As it was early in the day, few peo­ple were trav­el­ing back down, and we man­aged to get a gon­dola all to our­selves. The view trav­el­ing down the line was quite impressive.

As usual, click the pho­tos above to view the entire gallery.

Christmas at Lake Tahoe

We cel­e­brated Christ­mas in Car­son City this year, where my mom recently started a new job as the Folk­life Pro­gram Coor­di­na­tor at the Nevada Arts Coun­cil. We spent the morn­ing extract­ing good­ies from our stock­ings, gorg­ing our­selves on crème brûlée French toast, and unwrap­ping presents. After a bit of loung­ing around, we bun­dled up, piled into my mom’s car, and set out west towards Lake Tahoe.

Car­son City lies at about 4,800 feet above sea level, and the sur­face of Lake Tahoe is at 6,229 feet. Between the two lie some of the Sier­ras, which we crossed via Spooner Pass (at 7,146 feet) on U.S. 50. We approached the lake sort of in the mid­dle of the east­ern side, and our first view as we emerged from the moun­tains was absolutely breath­tak­ing. We drove a lit­tle ways towards the south end, stop­ping a cou­ple of times along the way to enjoy the scenery and take some pic­tures. At our sec­ond stop, we came upon the M.S. Dixie, one of a num­ber of Mis­sis­sippi River pad­dle­wheel­ers that have been brought to Tahoe over the years.

Next, we turned around and headed for Incline Vil­lage at the north end of the lake. We stopped once more along the way at a spot with lots of big rocks along the shore. I ven­tured out as far as I could onto the rocks, in order to get a good look into the water. Lake Tahoe is amaz­ingly clear, with an aver­age vis­i­bil­ity of around 70 feet. This has appar­ently declined in recent years, with ear­lier mea­sure­ments of water clar­ity top­ping 100 feet. A vari­ety of fac­tors are thought to have caused the decrease in clar­ity, most of which are directly related to human activ­i­ties on, in, and around the lake. For­tu­nately, it seems that the com­mu­ni­ties around Tahoe are becom­ing aware of their own impact on the lake, and are work­ing to pre­vent fur­ther contamination.

As usual, click any of the pic­tures above to view the whole gallery.

Jack Daniel’s

Veron­ica and I recently spent a week in Ten­nessee vis­it­ing my par­ents. Among other things, we hung out with my friends Trevor, Lena, and Dustin, went to the Frist Cen­ter for the Visual Arts in Nashville, stopped at the mon­u­ment mark­ing the exact geo­graph­i­cal cen­ter of Ten­nessee, and — as always is the case at my par­ents’ house — ate lots of good food. The only thing I really doc­u­mented pho­to­graph­i­cally, though, was our tour of the Jack Daniel’s Dis­tillery.

The dis­tillery sits in Lynch­burg, Ten­nessee, a small town about an hour south of my home­town of Murfrees­boro. Strangely enough, Moore County, of which Lynch­burg is the seat, is a dry county. The dis­tillery pro­duces over 8 mil­lion cases of whiskey per year, none of which can be sold in town. Well, until recently, any­way. In the last few years, a bill was pushed through the state leg­is­la­ture which allows the dis­tillery to sell one type of com­mem­o­ra­tive bot­tle of whiskey at the dis­tillery itself. Appar­ently, the house and sen­ate have fig­ured out how to sell whiskey in a dry county, yet they can’t fig­ure out how to imple­ment an income tax or prop­erly fund edu­ca­tion. But, I digress…

Inside the Bar­rel House

I’d taken the tour a cou­ple of times before, when I was fairly young; it’s changed quite a bit since then. The tour used to include alot of walk­ing and climb­ing stairs, but is now much less stren­u­ous. There’s also more show­man­ship now — a new slick-looking visitor’s cen­ter with a small museum, a cou­ple of well-produced videos shown with LCD pro­jec­tors and flat-screen TVs, a room devoted to Jack Daniel’s Sin­gle Bar­rel with plaques on the walls record­ing those who’ve shelled out $8500 to buy an entire bar­rel. The tour used to be more rough around the edges — truly just walk­ing through a func­tional dis­tillery. But, you still get to see all the major steps in whiskey pro­duc­tion: obtain­ing the water, mak­ing the mash, dis­till­ing, fil­ter­ing through char­coal (and actu­ally mak­ing the char­coal), mak­ing bar­rels, aging in bar­rels, and finally bottling.

You also get a good dose of his­tory on the tour. One stop is the Jack Daniel’s orig­i­nal office, the only orig­i­nal build­ing still stand­ing. Inside are a num­ber of arti­facts from the distillery’s his­tory as well as some repro­duc­tions. One inter­est­ing object is a large floor safe. As it’s told, one morn­ing Jack couldn’t get the safe open and he kicked it in frus­tra­tion. His toe became infected, and his leg even­tu­ally had to be ampu­tated above the knee. This appar­ently didn’t stop the infec­tion, and he soon died from com­pli­ca­tions of gangrene.

One fea­ture of the revamped tour is a group pho­to­graph. As our guide (an older-middle-aged woman with a deep south­ern drawl) told us, “We’re fixin’ to go up the hill in this here bus, then we’ll all get out and have our pitcher made. In about a week, they’ll put it up on dubya dubya dubya dot jack­daniels dot com, and it’ll go out world­wide. Ya’ll’ll be lookin’ good up there on the inter­net.” Sure enough, they shoved us all together in front of a wood­pile, and the bus dri­ver pulled out a lit­tle dig­i­tal cam­era and took one pic­ture of our whole group. It’s now online (for a few months, at least) here. You’d think they could have taken our pic­ture in front of some­thing iden­ti­fi­able — whiskey bar­rels, the statue of Jack Daniel, maybe even some­thing with the distillery’s logo on it. But, no. There we stand in front of an anony­mous woodpile.

Hiking and Beer

This week­end, Veron­ica and I decided to take advan­tage of one of our last sum­mer week­ends. We took a cou­ple of day trips, each of our des­ti­na­tions within about an hour of Madi­son. On Sat­ur­day morn­ing, we headed to Devil’s Lake State Park, near Bara­boo, WI. Devil’s Lake has a num­ber of trails to choose from, most of which are short and con­nect to a num­ber of other trails. We hiked all or part of at least five dif­fer­ent trails, which only amounted to four or five miles. But, when you add four ele­va­tion changes of four to five hun­dred feet (two of which were in about three tenths of a mile each) and a tem­per­a­ture push­ing 90°F, it made for a fairly tir­ing hike. The trails along the bluff offered some beau­ti­ful views of the lake as well as a num­ber of inter­est­ing rock for­ma­tions. I was dis­ap­pointed by the lower Grot­tos Trail, though — no grot­tos to be found. Devil’s Lake seems to be a very pop­u­lar park; it was cer­tainly packed when we were there. Unfor­tu­nately, the high traf­fic flow ensured that the only ani­mals we saw were those with wings and/or six or more legs.

One of Two Ger­man
Cop­per Boil­ers at the Brewery

On Sun­day, we drove south­west of Madi­son to the lit­tle town of New Glarus. The vil­lage calls itself “Lit­tle Switzer­land,” and claims a decent tourist trade based on its Swiss her­itage. But, the town is best known (around Wis­con­sin, any­way) as the loca­tion of the New Glarus Brew­ing Com­pany. The com­pany is a small oper­a­tion — I was sur­prised at just how small — and their beer is only avail­able within Wis­con­sin. The brew­ery tour was of the self-guided vari­ety, with the aid of hand-held audio devices. Unlike the one at Miller (which we took a cou­ple of weeks ago in Mil­wau­kee), this tour focused on the actual process of mak­ing the beer. It was quite well done — they explained every step in basic terms, usu­ally with an option to hear more in depth infor­ma­tion. Since we toured on a Sun­day, most of the brew­ery was shut down. It was still inter­est­ing to see all of the machin­ery, from bar­ley mill to keg filler. At the end of the tour, we got to try sam­ples of four dif­fer­ent New Glarus beers: Totally Naked, Yokel, Home­town Blonde, and Wis­con­sin Bel­gian Red. I liked them all, even the Bel­gian Red, into each wine-sized bot­tle of which goes over a pound of cher­ries — def­i­nitely not an all the time beer, but it would prob­a­bly go well with dessert.

Click each of the pic­tures above to view small gal­leries from Devil’s Lake and the brewery.

Blue Heron

A few weeks ago, Veron­ica and I spent the week­end at her grandmother’s in Neshkoro, WI. It was a nice relax­ing week­end — we read, hung out on and around a cou­ple of lakes, went canoing, and made s’mores two nights in a row. On Sat­ur­day after­noon, we took a neighbor’s pedal boat out on the lake. Those things are not built for any­one taller than about 5’6″. But, I digress. Soon after leav­ing shore, we spot­ted a great blue heron fish­ing for its lunch. We stalked it for awhile, and I took a bunch of pic­tures. Luck­ily, we were sta­ble enough for me to use a long lens. Three of my best pics are below, and there are a few more in the gallery.